
02 Two Weeks
03 All We Ask
04 Fine for Now
05 Cheerleader
06 Dory
07 Ready, Able
08 About Face
09 Hold Still
10 While You Wait for the Others
11 I Live With You
12 Foreground
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With an under-loved folk singer (Alela Diane), a bunch of top-notch musos (Joey Waronker, Josh Klinghoffer, etc) and a covers album full of lost classics and obscure gems, what could possibly go wrong?
Not much, actually. This is a tasteful and entirely pleasant run-through of great songs from the likes of Vashti Bunyan, Daniel Johnston, the Jesus and Mary Chain and I Am Kloot. The only thing missing is one moment of jaw-dropping, risk-taking audacity...www.indepedent.co.uk

Vancouver bad boy Geoff Berner’s latest album is not a spectacular achievement in the field of music. Basically all of the music on Klezmer Mongrels is played by an accordion, violin, and what sounds like a djembe with a couple symbols. It isn’t supremely recorded and has absolutely no chance for mass appeal whatsoever, but, come hell or vampire weekend, I like this album. It’s just as fun and drunk as Gogol Bordello, yet it’s more coherent and not as loud. To get this album is to buy Geoff’s quirky personality and the vibe he’s going for, not necessarily the musicianship and fidelity of the recording. This is the campfire jam session style of klezmer punk.
Most songs mention booze and/or girls, with the possible exception of “No Tobacco” (an essential song that begs the world to not roll their joints with tobacco lest they sully the true taste and experience of BC bud). The lyrics are perfect for the form, delivering everything good, honest folk music should. They’re blunt and boozy, with a hint of “fuck this” and anything goes. Of course, it is a little confusing to hear Berner talk about trying to breed out the bad half of German culture in “Half German Girlfriend”, not the only time the subject is broached on the record, but it’s easy to live with considering its context. Though I’ll never see the spectacular cover art by Kelly Haigh (who also did a great Carolyn Mark album) sail up the Billboard charts, it will never leave my collection. Here’s mud in your eye...www.popmatters.com


Despite Fiction Family's collaborative nature, its acoustic melodies and sweet vocal harmonies more closely resemble Nickel Creek's sound than Switchfoot's passionate alterna-rock. The self-titled debut is more cohesive than one would expect from a compilation of ideas swapped while each band was touring, but all those months on the road certainly influence the tone of the album. "Betrayal" and "Not Sure" convey a sense of longing and heartbreak; that air of wistfulness ties the songs on this album together. Watkins and Foreman switch vocal duties, but it isn't always immediately apparent (nor truly important) who's at the lead microphone. The resulting sweet harmonies make "Fiction Family" a solid set of near-duets from two diverse, accomplished musicians...www.washingtonpost.com
